Special editions

SPECIAL EDITIONS is the category for publishing scientific monographs (individual or collective) dedicated to the most important social questions which are addressed in detail. So far, two monographs of this type have been published. The plan within this edition is also to publish the translations of the most important foreign books.

The Refined Lady

I am both proud and honoured by the role of the editor of this book because Jovan Sterija Popovićn was born in my birthplace. Vršac is called “the largest Japanese town in the Republic of Serbia” because it has hosted the largest number of artists and athletes from Japan in the past decade. Our wish is to have Sterija’s works live in Japan both through literature and theatre, “on the boards that mean life”. The writer combined literary genius, particularly in comedy, with influential activities in the development of education, culture and institutions in Serbia. “Pokondirena tikva” is a comedy depicting the character of a woman who publicly tries to pass herself off as high class, but her “tate-mae” (artificial image) has nothing to do with her “hone” (honest thought). This discrepancy between what we want to be and what we are is explained by the Japanese concept “tate-mae vs hone”. In modern society, through his universal comedy of character, Sterija makes us laugh and wonder: Who are we really when we take off our masks ?”

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The symbol of freedom and unity - A short history of the modern Serbian state flag

Flags stand for an integral part of human civilisation since certain decorative elements have been used to represent various symbols of particular identity and as a means of communication. The history of flags shows creativity and adaptability of humankind in terms of the use of visual design in order to express various collective values, and additionally to indicate their permanent significance in different cultures and eras.

Two centuries of serbian characterology

The very issue of characterology and the mentality of a people requires multidisciplinary approach, encompassing all scientific fields that have a connection with it, as the classic of our characterology, Vladimir Dvorniković, forcefully points out. Thus, this bibliographic list of works provides a very rich directory of the most prominent Serbian scientists who, from their own perspective, dealt with the characterology and mentality of their people.

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About Serbian art, with love Book 2

Although the scope of this anthology was determined by the number of studies, by chance it begins in a certain way with Marko Murat’s monumental composition The Arrival of Emperor Dušan in Dubrovnik, completed in 1900, awarded the same year at the World Exhibition in Paris, and ends with the associative abstract painting Stone Ocean (1951) by Petar Lubarda, which anticipates abstraction as one of the leading trends in our country. Among these paintings are those of other protagonists of Serbian art, which are worthy of world museums and galleries.

The Phenomenon of Life Through Painting

When the young Miodrag Đurić aka Dado settled, around 1952, in the garret of the house of his maternal aunt Vukica Milosavljević, aka Vule, in Strahinjića Bana Street in Belgrade, he had already rebelled, breaking from the socialist realism imposed on him at the Fine Arts School of Herceg-Novi (1948–1952), where his maternal uncle, Mirko Kujačić, who had taken him in at the death of his mother in January 1945 year

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Serbian Progressive Party (1881–1919) Roots of the idea – Development - Activities

The struggle for the recovery of the Serbian state – “the resurrection of the Serbian state”, as the national liberation struggle of the Serbian people was called by famous Stojan Novaković in the eponymous study from 1904, celebrating the centennial of the First Serbian Uprising. This struggle was initiated by the Serbian revolution in 1804 and ended at the Congress of Berlin in 1878.

About Serbian art, with love

I faced my work, as well as with myself, with apprehension. As the curator of the collection of Yugoslav Painting of the 20th century in the National Museum of Serbia, I committed myself to safe accommodation, processing and exhibiting the works I was in charge of, as well as to finding an answer to the question: Why doesn’t the oldest and most respectable museum institution among the Serbs have the collection of Serbian painting of the 20th century?
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History in the Camp

The word “camp” refers to restricted freedom, imprisonment, the power of the one who runs the camp over the one who is imprisoned in it, coercive control of the victim, abuse, killing… Just as people are imprisoned and taken to the camp, the powerful ones in the world try to “imprison” history by exercising violence over people in order to change their minds, and equality there is violence against history in order to alter it…

Ecology at the Crossroads

Трећа деценија XXI века показује нам колико је наша цивили- зација осетљива, крхка и трагична. Поред свих технолошких достигнућа које је цивилизација стварала у другој половини прошлог века, и у протекле две деценије овог века долазимо до сазнања да заправо нисмо толико напредовали колико смо сами себе у то убедили.
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